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Transparent Things, by Vladimir Nabokov
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“Transparent Things revolves around four visits of the hero ― sullen, gawky Hugh Person ― to Switzerland. . . . As a young publisher, Hugh is sent to interview R., falls in love with Armande on the way, wrests her, after multiple humiliations, from a grinning Scandinavian and returns to New York with his bride. . . . Eight years later ― following a murder, a period of madness and brief imprisonment ― Hugh makes a lone sentimental journey to wheedle out his past. . . . The several strands of dream, memory, and time [are] set off against the literary theorizing of R. and, more centrally, against the world of observable objects.” - Martin Amis One of the twentieth century’s master prose stylists, Vladimir Nabokov was born in St. Petersburg in 1899. He studied French and Russian literature at Trinity College, Cambridge, then lived in Berlin and Paris, where he launched a brilliant literary career. In 1940 he moved to the United States, and achieved renown as a novelist, poet, critic, and translator. He taught literature at Wellesley, Stanford, Cornell, and Harvard. In 1961 he moved to Montreux, Switzerland, where he died in 1977. “Nabokov writes prose the only way it should be written, that is, ecstatically.” ― John Updike
- Sales Rank: #1522116 in Books
- Published on: 1972-06
- Original language: English
- Number of items: 1
- Binding: Hardcover
- 104 pages
Review
Mysterious, sinister and beautifully melancholic -- Martin Amis
From the Inside Flap
"Transparent Things revolves around the four visits of the hero--sullen, gawky Hugh Person--to Switzerland . . . As a young publisher, Hugh is sent to interview R., falls in love with Armande on the way, wrests her, after multiple humiliations, from a grinning Scandinavian and returns to NY with his bride. . . . Eight years later--following a murder, a period of madness and a brief imprisonment--Hugh makes a lone sentimental journey to wheedle out his past. . . . The several strands of dream, memory, and time [are] set off against the literary theorizing of R. and, more centrally, against the world of observable objects." --Martin Amis
About the Author
One of the twentieth century’s master prose stylists, Vladimir Nabokov was born in St. Petersburg in 1899. He studied French and Russian literature at Trinity College, Cambridge, then lived in Berlin and Paris, where he launched a brilliant literary career. In 1940 he moved to the United States, and achieved renown as a novelist, poet, critic and translator. He taught literature at Wellesley, Stanford, Cornell, and Harvard. In 1961 he moved to Montreux, Switzerland, where he died in 1977.
Most helpful customer reviews
23 of 26 people found the following review helpful.
Neither Nabokov's best ...
By Tom Helleberg
nor a good starting point. While stylistically very much in keeping with works such as Lolita and Pale Fire (lyrical, smooth, entertaining, moving. A passage describing a pencil stub found in a hotel desk sticks in my memory. Nabokov gives it more life in a long paragraph than other authors can bestow upon a human character in a hundred pages), Transparent Things seems to trade the clever warmth of the earlier novels for a more experimental cleverness which gives the book the cooler feel of a puzzle box or jigsaw puzzle.
While its comparatively inaccessible structure is off-putting, what I found most bothersome about Transparent Things was my inability to relate Nabokov's fragmented narration to the story being told. The text feels like a camera with a macro lens following Person through his life, picking up this object here, this scene there, all in magnified detail, but to an end that escapes me.
One of Nabokov's greatest strengths is the multilayered nature of his novels. He is one of the exceptionally rare authors who allows a reader to take away exactly what they bring in. But this is not a one-sided trait, by which he crafts a text that runs infinitely deep and from which only the exceptionally scholarly are able to extract every last allusion and nuance from the text. It also means that over this depth there is a simple story that any reader can follow. In Transparent Things, this gift of Nabokov's seems employed in reverse, in that what is in essence a very simple story lies not on the surface, but is occluded by a layer of decidedly opaque murk.
Perhaps this is the point of the novel--that things are not transparent, that every object does not present its story as simply as a novel does, but rather gives us hard, solid surfaces. However, an author such as Nabokov wastes his talent in making such a point. There are enough inscrutable surfaces in the world, but not enough books like Pale Fire, which offer, like cut diamond, varying degrees of transparency, depending on a viewer's angle.
Save this one for later.
12 of 13 people found the following review helpful.
powerful and full of texture, yet deliciously brief
By Robert J. Crawford
This is typical brilliant Nabokov, with plenty of detail and mysterious threads laid down throughout that the imaginative can choose to follow or ignore. Because it was written in English rather than translated, Nabokov's prose is at its most powerful and organic - by far. The stories in this are extremely haunting, at least for me, musing on the nature of life after death, among many other themes. It is true genius and you can read it in a single sitting. Get it. You won't be disappointed.
6 of 6 people found the following review helpful.
A Novella That Nobody Understands (?)
By Jack Ridley
I read that book and was a bit baffled.
After reading the book, it was clear to me that one would need some help in trying to sort out exactly what the book means. Many other people such as John Updike have been baffled by the book. According to professional analysis found elsewhere, Transparent Things was first published in December 1971 in Esquire. And, from what Nabokov said, he finished the slim novella on April fool's day, of that same year. Is that the first tip? Is this book a bit of a sophisticated joke?
Most people have a hard time understanding what it means, and it takes at least two reads to get any sort of an understanding. Nabokov himself was amused by the critics and probably would continue to be amused today if he was still alive, and he said: "Amongst the reviewers several careful readers have published some beautiful stuff about it. Yet neither they nor, of course, the common criticule discerned the structural knot of the story."
And his biographer is quoted:
Nabokov biographer Brian Boyd's analysis attempts to untie that "knot" with a more specific elucidation: "Within the small compass of Transparent Things and the bleak life of Hugh Person, Nabokov ruptures the relationship of reader, character, and author more radically than he has ever done, in order to explore some of his oldest themes: the nature of time; the mystery and privacy of the human soul, and its simultaneous need to breach its solitude; the scope of consciousness beyond death; the possibility of design in the universe."
So where does that leave us average reader? What are we to make of it all? What is Nabokov's "knot." Without giving away the story, I can only guess but it is a "dream like" narrative of a man who is delusional and later near the end he is in a schizophrenic state? But as noted by others, it is not the protagonist himself who narrates the tale in a wild fashion, but a third party who is (presumably) lucid.
Correct me if I am wrong, and I am happy to discuss the book with anyone; but, was Person not in some sort of delusional state at the end? And, how does his described actions show us a window on our soul, or even blur the boundary between life and death? Or is there a whimsical element here? Or is to make us think, or again is it just literary art?
Many call the book a masterpiece. I think it is a very imaginative and hard to fathom piece of literature. It is literature as art, or art-for-art's sake. Nabokov has removed all the boundaries on his writing, mixing time and events. So, understand it or not, it is an interesting read.
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