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Film History: An Introduction, by Kristin Thompson, David Bordwell
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Written by two leading film scholars, Film History: An Introduction is a comprehensive survey of film-from the backlots of Hollywood, across the United States, and around the world. As in the authors' bestselling Film Art, concepts and events are illustrated with actual frame enlargements, giving students more realistic points of reference than competing books that use publicity stills.
- Sales Rank: #27883 in Books
- Brand: McGraw-Hill Humanities/Social Sciences/Languages
- Published on: 2002-08-06
- Original language: English
- Number of items: 1
- Dimensions: 10.90" h x 1.12" w x 8.70" l, 3.86 pounds
- Binding: Paperback
- 808 pages
- Great product!
About the Author
Kristin Thompson is an Honorary Fellow at the University of Wisconsin - Madison. She holds a master's degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin - Madison. She has published Eisenstein's Ivan the Terrible (Princeton University Press, 1981), Exporting Entertainment: America's Place in World Film Markets, 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), Wooster Proposes, Jeeves Disposes; or Le Mot Juste (James H. Heinman, 1992), Storytelling in the New Hollywood (Harvard University Press, 1999), Storytelling in Film and Television (Harvard University Press, 2003), and Herr Lubitsch Goes to Hollywood: German and American Film after World War I (University of Amsterdam, 2005). In her spare time she studies Egyptology. .
The authors have collaborated on Film History (McGraw-Hill, 1994) with Janet Staiger, on The Classical Hollywood Cinema (Columbia University Press, 1985) and Storytelling in the New Hollywood (Harvard University Press, 1999)..
David Bordwell is Jacques Ledoux Professor of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate from the University of Iowa. He is the author of The Films of Carl Theodor Dreyer (University California Press, 1981), Narration in the Fiction Film (University Wisconsin Press, 1985), Ozu and the Poetics of Cinema (British Film Institute/Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997) and Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000). He has won a University Distinguished Teaching Award.
Most helpful customer reviews
6 of 6 people found the following review helpful.
Must Have For Any Film Buff
By Lazarus Dance
I had to purchase this book for a film appreciation class I was taking, but I ended up reading it for pleasure outside of class (and months after the class ended). Very well written, informative, and interesting!
8 of 9 people found the following review helpful.
When a Text Book Is Worth Reading
By James W. Cortada
It's hard to get excited about a textbook, but this one is the exception. Written as if for a trade audience, it tells the fascinating story of film from its beginnings to the present. Covers just about everything you would want to know, but as an engaging story. This is an example of what an authoritative study of a subject should look like: balanced, well written, exciting, and beautifully illustrated.
6 of 7 people found the following review helpful.
A treat for film buffs
By Diana
Excellent film studies text--informative. Delineates the different epochs of film not only in the U.S. It includes international film and the work of Eisenstein, Renoir, Kurosawa, and others. Concise language and beautiful black-and-white and color reproductions.
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